The borrowed relief (marble of soil)
2018
White porcelain, black stoneware, wooden stand

Garden Sitters (The world is burning)
2018
Archival inkjet print, plant

Chaotic suns (mixed)
2018
Light bulbs with cables

Yellow Rain
2018
Archival inkjet print, fabric

Beijing Moon
2015
Archival inkjet print

We are both misled
2017
Archival inkjet print

Fogged Plate
2018
Archival inkjet print, wooden frame with frosted glass

seven layers practice
2018
Graphite on paper

Pigeon Wings (Single Rose)
2018
Synthetic flower, porcelain, string

growing onion
2015
Onions, folding table, copper bowl, glass bowl, table cloth

We are both loser
2017
Archival inkjet print

Chaotic suns (white)
2018
Light bulbs with cables

Back window with front shadow
2016
Archival inkjet print

Chicken Ribs
2018
Travertine soap dish, alabaster, hair

Brown Snow
2018
Archival inkjet print, Jamdani muslin cloth, metal hook

The borrowed relief (moon of home)
2017
Mangrove driftwood, marble, mirror, gold, string

Highlights (purifier promotion)
2018
White marble

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“In-between”, is conceived as a meandering walking path by a solitary wanderer in an anonymous park. Neither going east nor west, neither day nor night, neither belonging nor outcast, the wanderer has no particular destination or itinerary in mind, and instead strays to his own reveries. Yeung deepens his existing practice on ecology and botany by exploring a wider range of medium underneath the terrestrial plants and critters, utilising materials such as stones and minerals, soil and clay, dust and debris. The artist relays a ubiquitous yet idiosyncratic state of in-betweenness evident in the quotidian life of beings and the aspirations for meaningful relationships.

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Photos will be uploaded soon.