Born in 1988 in Guangdong Province in China, Trevor Yeung graduated from the Academy of Visual Arts at Hong Kong Baptist University in 2010. Yeung currently lives and works in Hong Kong.

The practice of Trevor Yeung consistently excavates the inner logics of closed systems and the way in which such systems contain and create emotional and behavioural conditions. In his mixed-media works, carefully staged objects, animals, and plants function as aesthetic pretexts which delicately and ironically address notions of artificiality and the processes of human relations.



[Soft ground], Gasworks, London, United Kingdom
[Silent Floaters], Jan Mot, Brussels, Belgium 
[a friendly distance], Blank Canvas, Penang, Malaysia

[Garden Cruising: that camouflage], Blindspot Gallery, Frieze, London, United Kingdom
[you turn your back on me], Galerie Allen, Paris, France
[not everything is about you], Blindspot Gallery, Hong Kong, China

[Try so hard to make things happen], Oil Street Art Space, Hong Kong

[there's something missing], private apartment, Hong Kong

[Awkward Introduction], Kohta, Helsinki, Finland
[Typhoon No.9], Galerie Allen, Paris, France

[In-between], Blindspot Gallery, Hong Kong

[You think you are mimosa], Last Tango, Zurich, Switzerland

[The darkroom that is not dark], Magician Space, Beijing
[The Sunset of Last Summer], Blindspot Gallery, Hong Kong

[no pressure:)], Gallery, Zürcher Hochschule der Künste, Zurich, Switzerland
[Garden Cruising: It’s not that easy being green], Blindspot Gallery, Art Basel HK, Hong Kong

[That Dog at That Party], Gallery EXIT, Hong Kong

[Trevor Yeung's Encyclopedia], Observation Society, Guangzhou

[seven gentlemen],, Hong Kong
 [the bedroom show], the artist bedroom, Hong Kong

[Cherry Pop], the Blue Room, Blue Lotus Gallery, Hong Kong
[System01], 1A Space Booth, X1, ART HK11, Hong Kong

[deface], AVA Gallery, AVA, HKBU, Hong Kong

Selected Group Exhibition

[Sigg Prize 2023], M+ Museum, Hong Kong, China
[Art|Basel Hong Kong 2023], Encounters sector, Hong Kong Convention and Exhibition Centre, Hong Kong
[Planetary Gestures], NorthSite Contemporary Arts, Cairns, Australia

[Multispecies Clouds], Macalline Art Center, Beijing, China
[Myth Makers- Spectrosysthesis], Tai Kwun Contemporary, Hong Kong, China
[Natasha, Singapore Biennale 2022], Singapore
[Foliage], VCCA Foundation, Hanoi, Vietnam
[The Language of Mushrooms], Contemporary Gallery Kunming, Yunnan, China
[Grass(e) as a Lab: My Mind Is a Garden -part 1], La Società delle Api, Grasse, France
[Des corps, des écritures], Musée d’Art Moderne de Paris, Paris, France
[Perspectives #02], FRAC Alsace, Alsace, France
[Kathmandu Triennale 2077], Taragaon Museum, Kathmandu, Nepal
[Park Projects], Jameel Art Centre, Dubai, United Arab Emirates

[The Dream of The Museum], M+ Museum, Hong Kong, China
[Les Flammes], Musée d’Art Moderne de Paris, Paris, France
[Future Generation Art Prize 2021], PinchukArtCentre, Kiev, Ukraine
[Trust & Confusion] Tai Kwun Contemporary, Hong Kong, China
[Have Sanity], Last Tango, Zurich, Switzerland

[Noire Lumière], HOW Art Museum, Shanghai
[To Stay / To Flee], ], Pao’s Gallery, Hong Kong Arts Centre, Hong Kong
[Get Rid of Yourself], Sophie Tappeiner, Vienna
[KölnSkulptur #10: Natural Takeover], Skulpturenpark Köln, Cologne
[Garden of Six Seasons], Para Site, Hong Kong
[Turns #2], Galerie Allen, Paris
[Anonymous Society for Magick], Blindspot Gallery, Hong Kong

[Cruising Pavilion], ArkDes, Stockholm, Sweden
[A Beast, A God, and A Line], Kunsthall Trondheim, Trondheim, Norway
[Esqueci de acordar], Diablo Rosso, Panama City, Panama
[la biennale de Lyon 2019], Lyon, France
[Blood and Soil: Dark Arts for Dark Times], Contemporary Art Centre (CAC), Vilnius, Lithuania
[To See the Forest and the Trees], Asia Society, Hong Kong, China
[An Opera for Animals], Rockbund Art Museum, Shanghai, China

[Liminal Encounters], Aisa Society Hong Kong Center, Hong Kong
[After Nature: UCCA Dune Opening Exhibtion], UCCA Dune, Beidaihe, China
[Wan Chai Grammatica: Past, Present, Future Tense], Pao’s Gallery, Hong Kong Arts Centre, Hong Kong
[Today Could Have Been a Happy Day], Taikang Space, Beijing, China
[#ArtTravellers Exhibition Series III: Tracing along the Green Blades], Art Promotion Office, Trade and Industry Tower, Hong Kong
[Post-Industrial Landscape 5.0: City Scan], Osage Gallery, Hong Kong
[Beckoning the Mutation], Club Pro Los Angeles, Los Angeles, USA
[The Hum Comes From The Stumuch], Gladstone Gallery, Brussels, Belgium
[Cruising Pavilion], Spazio Punch, Venice, Italy
[The 38th edition of EVA International – Ireland's Biennial], Limerick City Gallery of Art, Limerick, Ireland
[Emerald City], K11 Art Foundation, Hong Kong
[A Beast, A God, and A Line], Dhaka Art Summit 2018, Dhaka, Bangladesh & Para Site, Hong Kong & TS1 Yangon, Yangon, Myanmar & Museum of Modern Art, Warsaw, Poland

[The Other Face of the Moon], Asia Culture Center, Gwangju, South Korea
[A Most Filial Imprint], Aike Dellarco, Shanghai, China
[From Ocean to Horizon], CFCCA, Manchester, England
[Soil and Stones, Souls and Songs], Para Site, Hong Kong & The Jim Thompson Art Center, Bangkok, Thailand

[Jimei x Arles International Photo Festival], Three Shadows Photography Art Centre, Xiamen, China
[Sea Pearl White Cloud], 4A Centre for Contemporary Asian Art, Sydney, Australia
[Soil and Stones, Souls and Songs], Museum of Contemporary Art and Design, Manila, Philippines
[Sea Pearl White Cloud], Observation Society, Guangzhou, China
[Daguerréotypes], Neptune, Hong Kong
[Adrift], OCT Contemporary Art Terminal, Shenzhen, China
[Scenarios of Time], The Fourth Art Sanya, Sanya, China
[Peep Show], Long March Space, Beijing, China

[Des hôtes: a foreigner, a human, an unexpected visitor], Spring Workshop, Hong Kong
[China 8: Contemporary Art from China on the Rhine and Ruhr], Osthaus Museum, Hagen, Germany
[A Hundred Years of Shame – Songs of Resistance and Scenarios for Chinese Nations], Para Site, Hong Kong
[Under the Influence], Floor5 1/2, Hong Kong
[The 2nd “CAFAM Future” Exhibition: Observer-Creator · The Reality Representation of Chinese Young Art], CAFA Art Museum, Beijing, China

[Social Factory, 10th Shanghai Biennale], Power Station of Art, Shanghai, China
[Hong Kong Bestiary], Platform China, Hong Kong
[780s], Blindspot Gallery, Hong Kong
[Bloom], Eslite Gallery, Taipei, Taiwan
[The Part In The Story Where A Part Becomes A Part Of Something Else], Witte de With, Rotterdam, Netherlands
[Ten Million Rooms of Yearning. Sex in Hong Kong], Para Site, Hong Kong
[The Scarlet Bauhinia in Full Bloom], Amelia Johnson Contemporary, Hong Kong

[we all sleep alone], Platform China, Hong Kong

[Scalable Strategies], Gallery EXIT, Hong Kong
[Why Do Trees Grow Till the End?], Gallery EXIT Hong Kong
[circuit], Gallery EXIT, Hong Kong

[Look! For Food], detour 2011, Hong Kong
[shadow in the dark], Gallery EXIT, Hong Kong

[ArtAlive@Park], Hong Kong Park, Hong Kong
[New Trend 2010], Artist Commune, Cattle Depot Artist Village, Hong Kong
[SOLOS], AVA Graduation Exhibition 2010, AVA, HKBU, Hong Kong
[Scoop], Photography Exhibition, AVA Gallery, AVA, HKBU, Hong Kong

[Little Coterie], L3 Gallery, Jockey Club Creative Arts, Centre (JCCAC), Hong Kong

[Works], Student Painting Exhibition, Gallery, Lam Woo International Conference Centre, HKBU, Hong Kong